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Art of Defiance: Radical Materials

February 2 – March 30, 2019


1 of 44

Hannelore Baron (1926–1987)
SB-2 (B73007), 1973
box assemblage of wood, glass, ink, paint, white pencil, metal wire and paper
10 5/8" x 7 5/8" x 2 3/4"
signed

Hannelore Baron (1926–1987)
Untitled (B80048), 1980
box assemblage of wood, glass, fabric, string, ink, paint, paper and monoprint
10 3/4" x 3 3/4" x 3 3/4"
signed

Hannelore Baron (1926–1987)
Untitled (B81005), 1981-83
box assemblage of wood, fabric, thread, paper, ink, paint and monoprint
10" x 8" x 4 1/4"
signed

Hannelore Baron (1926–1987)
Untitled (B81008), 1981
box assemblage of wood, paint, nails, ink, crayon, and paper
6" x 14" x 2 1/4"
signed

Hannelore Baron (1926–1987)
Untitled (B81064), 1981
box assemblage of wood, nails, fabric, ink, paint, paper and metal
7 1/8" x 6 1/8" x 2 3/4"
signed

Hannelore Baron (1926–1987)
Untitled (B82026), 1982
box assemblage of wood, glass, paint, fabric, ink, and paper
10" x 6 1/2" x 1 3/4"
signed

Hannelore Baron (1926–1987)
Untitled (B84028), 1984
box assemblage of wood, glass, fabric, string, ink, paint and paper
6 1/4" x 11 3/4" x 2"
signed

Hannelore Baron (1926–1987)
Untitled (B84031), 1984
box assemblage of wood, glass, ink, paint, white pencil, thread, paper, fabric and monoprint
9 5/8" x 8 1/2" x 2 3/8"
signed

Hannelore Baron (1926–1987)
Untitled (B85032), 1985
box assemblage with wood, metal, fabric, paint, nails and horsehair
8 1/2" x 5 1/2" x 2"
signed

Hannelore Baron (1926–1987)
Untitled (B86047), 1986
box assemblage of wood, fabric, paint, and metal wire
9" x 6 3/4" x 1 1/2"

Hannelore Baron (1926–1987)
Untitled (C80057), 1980
mixed media collage with fabric, paper, ink, watercolor and monoprint
17" x 12 1/2"
signed

Hannelore Baron (1926–1987)
Untitled (C82066), 1982
mixed media collage with paper, ink, watercolor and monoprint
19 3/16" x 14 3/4"
signed

Hannelore Baron (1926–1987)
Untitled (C82336), 1982
mixed media collage with fabric, paper, ink and monoprint
19" x 14 3/4"
signed

Hannelore Baron (1926–1987)
Untitled (C82354), 1982
mixed media collage with paper, ink and watercolor
19" x 15"
signed

Hannelore Baron (1926–1987)
Untitled (C82363), 1982
mixed media collage with paper, ink, watercolor and monoprint
18 1/2" x 14 1/2"
signed

Mary Bauermeister (b.1934)
China Tinta-Import Forbidden, 1966-69
ink, offset print, glass, glass lens, wooden sphere and painted canvas and wood construction
78" x 24 3/4" x 9 1/2"
signed

Mary Bauermeister (b.1934)
No More Bosoms, 1969
ink, glass, stone, glass lens, watercolor, canvas, paperboard and painted wood construction
60" x 60" x 23 3/4"
signed

Mary Bauermeister (b.1934)
Stone-Mandala for Meditation, 2011
stones and sand adhered to plywood panel
34 1/2" x 31 " x 6"
signed

Lee Bontecou (b.1931)
Untitled, 1963
welded steel and paint
21 1/2" x 31 1/4" x 6 1/2"
signed

Lee Bontecou (b.1931)
Untitled, 1963
welded metal, canvas and wire
13" x 14" x 13 1/2"

Lee Bontecou (b.1931)
Untitled (Cocoon), 1967
silk, balsa wood, wire and metal armature
26 1/2" x 11" x 11"

Lee Bontecou (b.1931)
Untitled, 1972-73
graphite and gesso on paper
38" x 25"
signed

Barbara Chase Riboud (b.1939)
Le Lit, 1966
charcoal and charcoal pencil on paper
29 7/8" x 22 1/8"
signed

Barbara Chase Riboud (b.1939)
Time Womb, 1967
polished aluminum and silk
71" x 32" x 17"

Barbara Chase Riboud (b.1939)
Nursery #3, 2007
black bronze, silk, wool, linen, and synthetic fibers with steel support
83 1/2" x 36 1/4" x 24"

Claire Falkenstein (1908–1997)
Untitled, c.1956
burnt bamboo root and steel wire
12" x 15" x 11"

Claire Falkenstein (1908–1997)
Untitled, c.1956
burnt bamboo root and steel wire
5 1/2" x 8" x 15"

Claire Falkenstein (1908–1997)
Untitled, c.1956
burnt bamboo root and steel wire
6 1/2" x 9 1/2" x 10 1/4"

Claire Falkenstein (1908–1997)
Emblem, c.1978
acrylic on linen, copper and bamboo
36" x 39" x 44"

Claire Falkenstein (1908–1997)
Emblem I, 1978
acrylic on linen, copper and bamboo
107" x 94" x 29"
signed

Claire Falkenstein (1908–1997)
The Boa Constriction, c.1980
driftwood, paint and copper
13" x 25 7/8" x 18"

Claire Falkenstein (1908–1997)
Untitled, 1975
india ink on paper
18" x 24"
signed

Nancy Grossman (b.1940)
Brown and Black, 1965
leather, metal, rubber, wood and paint assemblage on canvas mounted on plywood
73 1/2" x 70 1/4" x 15 3/4"
signed

Nancy Grossman (b.1940)
Untitled, 1968
leather, wood, epoxy and hardware
16 7/8" x 7 1/2" x 8 3/4"
signed

Nancy Grossman (b.1940)
ZOF, 1968
leather, wood, paint, epoxy and hardware
16 3/4" x 7 1/2" x 9"
signed

Nancy Grossman (b.1940)
Brox, 1980,
eather, wood, paint, epoxy and glass
16 3/4" x 8 1/4" x 9 3/4"
signed

Nancy Grossman (b.1940)
Battle-Axe, 1965
black ink on paper
16 3/8" x 13 3/8"
signed

Nancy Grossman (b.1940)
Untitled, 1970
ithography crayon on coated paper
40" x 26"
signed

Louise Nevelson (1899–1988)
Nightscape I, 1974-83
painted wood construction
97 1/2" x 84" x 12"

Louise Nevelson (1899–1988)
Rain Garden VI, 1978
painted wood construction
48" x 39" x 7"

Betye Saar (b.1926)
The Astrologer's Window, 1966
assemblage with etchings, ink, and collage in vintage window
31 1/8" x 22 3/4" x 1 1/4"
signed

Betye Saar (b.1926)
Window of Sirens, 1966
hand colored prints in antique leaded window frame
14 3/4" x 16" x 1 1/4"
signed

Betye Saar (b.1926)
Dr. Damballa Ju Ju, 1989
mixed media assemblage
47" x 18" x 17 1/2"

Betye Saar (b.1926)
Personae, 1993
mixed media box assemblage with painted wood, copper, linoleum, glass, plastic, bone and coral
15" x 9 1/2" x 13 3/8"
signed



Artists


Press


Press Release

Art of Defiance: Radical Materials examines the groundbreaking use of materials by artists Hannelore Baron, Mary Bauermeister, Lee Bontecou, Barbara Chase-Riboud, Claire Falkenstein, Nancy Grossman, Louise Nevelson, & Betye Saar. Each developed their individual approach by utilizing materials defined by their physicality, representing a freedom from the constraints of traditional, male-dominated media in art history. The exhibition explores how these artists blurred the boundaries of two- and three-dimensions with their singular constructions, expanding the field of art-making in a way that still resonates today.