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Hannelore Baron (1926-1987)


1 of 9

Untitled, c.1976
mixed media collage with paper, ink, watercolor and monoprint
9 7/8" x 6 5/8" / 25.1 x 16.8 cm

Untitled, 1980
mixed media collage with fabric, paper and ink
14 3/8" x 7 5/8", signed

Untitled, 1981
mixed media collage with fabric, paper and ink
9 3/8" x 7 1/2" / 23.8 x 19.1 cm 
signed and dated

Untitled, 1982
mixed media collage with paper, ink and monoprint
10 1/2" x 8 5/8", signed and dated

Untitled, 1982
mixed media collage with fabric, paper, ink and watercolor
11 3/8" x 8 3/4", signed and dated

Untitled, 1981
box assemblage of wood, glass, ink, paper, fabric and monoprint
12" x 6 3/4" x 3 5/8", signed dated

Untitled, 1981
box assemblage of painted wood, nails, fabric and ink
9 1/2" x 6 3/4" x 2 1/2", signed and dated

Untitled, 1983
mixed media collage with fabric, paper, ink and monoprint
11 7/8" x 5", signed and dated

Untitled, 1981-83
box assemblage of wood, fabric, thread, paper, ink, paint and monoprint
10" x 8" x 4 1/4", signed, dated


Exhibitions


New & Noteworthy

MRG PRESS RELEASE

Hannelore Baron Estate Representation 2017

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Artist Information

“Everything I’ve done is a statement on the, as they say, human condition…The materials I use in the box constructions and cloth collages are gathered with great care. The reason I use old cloth and boxes is that the new materials lack the sentiment of the old, and seems too dry in an emotional sense.”

Hannelore Baron is celebrated for her intimate collages and assemblages that, as Michael Brenson wrote in a 1989 New York Times review, “suggest both the condition of entrapment and the possibility of release.” The compassion, anger, dissent, humor, and silence that animate her work hint at her traumatic experiences as a child in Nazi Germany. However, she was often reluctant to discuss this part of her life out of concern that it would limit interpretations of her artwork. Influenced by ancient religious texts, illuminated pages of the Koran, Persian miniatures, botanical prints, and archeological finds, Baron was concerned about the human condition, including her own and she stated, “I am a total contradiction.”

Baron was born Hannelore Alexander in 1926, in the small German town of Dillingen, not far from the French border. She experienced a childhood fractured by violence and displacement. In 1941, the United States consulate granted the Alexander family an emigration quota number, and they were able to make their way to New York. Shortly upon her arrival, Baron enrolled in the Straubenmuller Textile High School in Manhattan. Although she did not study art formally after high school, her acquaintance with John Heliker, who taught painting at Columbia University, enabled Baron to bring her artwork to him for regular critiques. In the late 1950s, she started to incorporate collage elements into her painting, and her work was exhibited at various venues in New York. A member of the National Association of Women Artists, she began making assemblages from found wood, driftwood, and wire in 1968, when a volunteer teaching position at the Yonkers Jewish Community Center gave her access to woodworking tools. The following year, she had a solo exhibition at Ulster County Community College in Stone Ridge, New York, and she became the director of the short-lived Tyndall Creek Gallery in Riverdale. She continued to explore new ways of combining media in the 1970s; Baron developed a sculptural technique for making monotypes by shaping copper into cut-out forms (i.e. heads, figures, birds) and then inking both sides to result in mirror image printing. She also employed a “transfer drawing” technique that was popularized in the 1920s by Paul Klee. In Baron’s hands, “mixed-media” meant more than the convergence of a variety of materials and approaches in a given work. She had a singular capacity for drawing out the visual, textural, and conceptual continuities among her elements. In her work, a family resemblance is visible among wood and paper, paper and textile, wood and cloth.

Baron understood her art as a form of political expression, and this aspect became more explicit in the 1970s with several series that incorporated motifs of torn flags, war-time letters, children’s games, and anti-war protests. After several exhibitions at Kathryn Markel Gallery, Gallery Schlesinger-Boisanté (New York) arranged in 1982 an exhibition of Baron’s work in her childhood town of Dillingen. The exhibition was accompanied by a one-page artist’s statement that revealed traumatic events in her past. Baron also created a special box assemblage incorporating various German documents, including her father’s passport, which Nazi authorities had stamped with a large red “J.” Although Baron did not travel to Germany, she gave specific instructions that this construction and her statement be hung in a hall outside of the exhibition space.

 

In 1987, Baron, who had battled several types of cancer in her lifetime, died at the age of 61. Her early experiences of terror and persecution had continued to torment her as an adult in the form of depression and claustrophobia, but they also informed her concern for the disempowered, her mistrust of nationalism, and her fierce criticisms of war and environmental destruction. Translating her political beliefs into abstract forms, Baron created “an art of concealment and protection,” one that remains as poignant and necessary today as it was in the late twentieth century.

Over the decades, Baron’s work has been contextualized in groundbreaking museum exhibitions including The Poetic Object (San Antonio Museum of Art, San Antonio, TX, 1988); Deep Storage: Collecting, Storing, and Archiving Art (Haus der Kunst, Munich, Germany, 1997); Six Centuries of Prints and Drawings (National Gallery of Art, Washington, DC, 2004); and most recently, The Keeper (The New Museum, New York, NY, 2016). Commercial solo exhibitions have been presented consistently since 1969 with her first major museum survey in 1989 at the Solomon R. Guggenheim Museum. In 2002, Hannelore Baron: Works from 1969 to 1987 traveled to eight national venues; curated by Ingrid Schaffner for SITES (Smithsonian Institution Traveling Exhibition Services), the exhibition was accompanied by a fully-illustrated catalogue. That same year, the Art Museum at the University of Memphis presented Hannelore Baron: Fragments Shored Against Ruins.

Baron’s work  is represented internationally in over thirty public collections that include the Albright-Knox Art Gallery, Buffalo, NY; Art Institute of Chicago, Chicago, IL; Brooklyn Museum, Brooklyn, NY; Solomon R. Guggenheim Museum, New York, NY; Israel Museum, Jerusalem, Israel; Los Angeles County Museum of Art, Los Angeles, CA; The Museum of Modern Art, New York, NY; Museum of Fine Arts, Boston, MA; National Gallery of Art, Washington, DC; San Francisco Museum of Modern Art, San Francisco, CA; Smithsonian American Art Museum, Washington, DC; and Whitney Museum of American Art, New York, NY.

Michael Rosenfeld Gallery proudly announced its exclusive representation of the Estate of Hannelore Baron in 2017.

SELECTED MUSEUM COLLECTIONS

Addison Gallery of American Art, Phillips Academy, Andover, MA
Albright-Knox Art Gallery, Buffalo, NY
Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
Art Institute of Chicago, Chicago, IL
Bass Museum of Art, Miami, FL
Brooklyn Museum of Art, Brooklyn, NY
Chrysler Museum of Art, Norfolk, VA
Dennos Museum Center, Traverse City, MI
Detroit Institute of Arts, Detroit, MI
Faulconer Gallery, Grinnell College, Grinnell, IA
Hudson River Museum, Yonkers, NY
International Collage Center, Milton, PA
Israel Museum, Jerusalem, Israel
The Jewish Museum, New York, NY
Kresge Art Museum, East Lansing, MI
Kunstsammlung der Stadt Reutlingen, Reutlingen, Germany
Los Angeles County Museum of Art, Los Angeles, CA
Luther W. Brady Art Gallery, George Washington University, Washington, DC
Milwaukee Art Museum, Milwaukee, WI
Modern Galerie des Saarland Museums, Saarland, Germany
The Morgan Library & Museum, New York, NY
Museum of Art, Rhode Island School of Design, Providence, RI
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
National Gallery of Art, Washington, DC
New York Public Library, New York, NY
Racine Art Museum, Racine, WI
The Richard F. Brush Art Gallery and Permanent Collection, St. Lawrence University, Canton, NY
San Francisco Museum of Modern Art, San Francisco, CA
Santa Barbara Museum of Art, Santa Barbara, CA
Skirball Museum, Los Angeles, CA
Smithsonian American Art Museum, Washington, DC
Solomon R. Guggenheim Museum, New York, NY
Pannell Art Gallery, Sweet Briar College, Sweet Briar, VA
Muroff-Kotler Visual Arts Gallery, Ulster County Community College, Stone Ridge, NY
University Art Museum, California State University, Long Beach, CA
Whitney Museum of American Art, New York, NY

1969
Hannelore Baron: Paintings-Collages, Ulster County Community College, Muroff-Kotler Visual Arts Gallery, Stone Ridge, NY

1973
6 solos, Hudson River Museum, Yonkers, NY
Hannelore Baron, Katonah Gallery, Katonah, NY

1976
Hannelore Baron, Katonah Gallery, Katonah, NY

1977
Hannelore Baron, Kathryn Markel Gallery, New York, NY

1978
Hannelore Baron, Kathryn Markel Gallery, New York, NY

1980
Hannelore Baron: Collages, Kathryn Markel Gallery, New York, NY

1981
Hannelore Baron: Collages and Boxes, The Member’s Gallery, Albright-Knox Art Gallery, Buffalo, NY
Hannelore Baron: Collages and Boxes, Kathryn Markel Gallery, New York, NY
Hannelore Baron: Boxes, Gallery Schlesinger-Boisanté, New York, NY

1982
Hannelore Baron: Collage, Roger Ramsay Gallery, Chicago, IL
Hannelore Baron: Selected Collages, 1982, Gallery Schlesinger-Boisanté, New York, NY
Hannelore Baron: Gouaches/Collages, Louis Dijkstra Kunsthandel, Waalwijk, The Netherlands
Hannelore Baron, Moderne Galerie des Saarland-Museums, Studiogalerie, Saarbrucken, Germany
Hannelore Baron: New York, Textilbilder + Textilcollagen, Galerie Domberger, Reutlingen, Germany

1983
Hannelore Baron: New York, Collagen, Galerie Alvensleben, Munich, Germany
Hannelore Baron: Recent Collages, Robert Brown Contemporary Art, Washington, DC
Galerie im Rathaus, Kunstverein Dillingen, Dillingen, Germany
Hannelore Baron: 60 Arbeiten 1976-1982, Galerie Pudelko, Bonn, Germany
Hannelore Baron: Boxes, Gallery Schlesinger-Boisanté, New York, NY

1984
Hannelore Baron: Collages & Boxes, Jack Rutberg Fine Arts, Los Angeles, CA
Hannelore Baron, Gallery Schlesinger-Boisanté, New York, NY
Hannelore Baron: Collagen, Galerie im Rathaus, Kunstverein Dillingen, Dillingen, Germany

1985
Hannelore Baron: Collage, Roger Ramsay Gallery, Chicago, IL
Hannelore Baron, Gallery Schlesinger-Boisanté, New York, NY

1986
Hannelore Baron: Collages & Boxes, Jack Rutberg Fine Arts, Los Angeles, CA
Hannelore Baron, Galerie Lopes AG, Zurich, Switzerland
Hannelore Baron: Collages, Galleri Zero, Stockholm, Sweden
Hannelore Baron: 27 Collages, Gallery Schlesinger-Boisanté, New York, NY

1987
Hannelore Baron: Recent Collages, Robert Brown Contemporary Art, Washington, DC
Hannelore Baron: The Last Ten Years, Gallery Schlesinger-Boisanté, New York, NY
Hannelore Baron: In Memoriam, Roger Ramsay Gallery, Chicago, IL
Hannelore Baron: The Last 10 Years, Jack Rutberg Fine Arts, Los Angeles, CA

1988
Hannelore Baron (1926-1987): The Last Ten Years, Collages and Boxes, Alice Simsar Gallery, Ann Arbor, MI
In Memoriam: Hannelore Baron, Collagen und Box-Assemblagen, Galerie Lopes AG, Zurich, Switzerland
Hannelore Baron: Bird Imagery, Gallery Schlesinger, New York, NY

1989
Hannelore Baron: Collages & Boxes, Jack Rutberg Fine Arts, Los Angeles, CA
Hannelore Baron, Solomon R. Guggenheim Museum, New York, NY
Hannelore Baron, Gallery Schlesinger, New York, NY
Hannelore Baron: Collages, Robert Brown Contemporary Art, Washington, DC
Hannelore Baron: Monoprints 1978-81, Baron/Boisanté, New York, NY
Hannelore Baron, Fujii Gallery, Tokyo, Japan
Hannelore Baron: Collage, Roger Ramsay Gallery, Chicago, IL

1990
Hannelore Baron: Assemblages, Gallery Schlesinger, New York, NY
Hannelore Baron, Roger Ramsay Gallery, Chicago, IL

1991
Hannelore Baron, Barbara Mathes Gallery, New York, NY

1993
Hannelore Baron, Gallery Schlesinger, New York, NY
Hannelore Baron: Collages & Box Constructions, Barbara Mathes Gallery, New York, NY
Hannelore Baron, John C. Stoller & Co., Minneapolis, MN

1994
Hannelore Baron, Manny Silverman Gallery, Los Angeles, CA

1995
Hannelore Baron: Collages & Box Constructions, Barbara Mathes Gallery, New York, NY
Hannelore Baron: Collages & Box Constructions, Manny Silverman Gallery, Los Angeles, CA

1996
Hannelore Baron, Meyerson & Nowinski, Seattle, WA
Hannelore Baron: Collagen und Schaukasten, Farbklang Kulturverein, Dillingen, Saar, Germany

1997
Hannelore Baron: Kollazsok es Dobozok, Isrvam Kiraly Muzeum, Szekesfehervar, Hungary
Hannelore Baron: Collagen und Schaukasten, ACA Galleries, Munich, Germany

1998
Hannelore Baron: A Selection of Monoprints, Collages and Box Constructions, Manny Silverman Gallery, Los Angeles, CA
Hannelore Baron: Box Constructions and Collages, Meyerson & Nowinski, Seattle, WA

2000
Hannelore Baron: Early Works, Manny Silverman Gallery, Los Angeles, CA

2001
Hannelore Baron: Collages and Box Constructions, Senior & Shopmaker Gallery, New York, NY
Hannelore Baron (1926-1987): Selected Works, Herter Art Gallery, University of Massachusetts, Amherst, MA

2002
Hannelore Baron: Works from 1969 to 1987, organized by SITES (Smithsonian Institution  Traveling Exhibition Service) and curated by Ingrid Schaffner; Marsh Art Gallery, University of Richmond, Richmond, VA; Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA; Macalester College Art Gallery, St. Paul, MN; Neuberger Museum of Art, Purchase, NY; Bass Museum of Art, Miami Beach, FL; Mennello Museum of American Folk Art, Orlando, FL; Luther W. Bradly Gallery, George Washington University, Washington, DC; University Art Museum, California State University, Long Beach, CA
Hannelore Baron: Fragments Shored Against Ruins, Art Museum of the University of Memphis, Memphis, TN
Hannelore Baron: Collages & Assemblages, Gallery Schlesinger, New York, NY

2003
Hannelore Baron: Collages, Box Constructions, Senior & Shopmaker Gallery, New York, NY
Hannelore Baron: Collages, Gallery Camino Real, Boca Raton, FL

2004
Hannelore Baron: Constructions and Mixed Media Collage, Elins Eagles-Smith Gallery, San Francisco, CA
Hannelore Baron, Manny Silverman Gallery, Los Angeles, CA           

2005
Hannelore Baron: Collages and Box Constructions, Senior & Shopmaker Gallery, New York, NY

2007
Hannelore Baron, Manny Silverman Gallery, Los Angeles, CA
Hannelore Baron: Fragments Shored Against Ruins, Ford Graphics Gallery, Flint Institute of Arts, Flint, MI

2008
Hannelore Baron: Collages and Box Constructions, 1969-1985, Leslie Feely Fine Art, New York, NY

2012
Hannelore Baron, Manny Silverman Gallery, Los Angeles, CA
Hannelore Baron, Leslie Feely Fine Art, New York, NY

2015
Hannelore Baron: Collage & Assemblage, Jack Rutberg Fine Arts, Los Angeles, CA

2016
Hannelore Baron, Leslie Feely Fine Art, New York, NY

1951
Creative Gallery, New York, NY

1958
Art Directions Gallery, New York, NY

1959
Twenty-Third Annual Competition for a First New York Show, ACA Galleries, New York, NY

1962
48th Annual Yonkers Art Association Exhibition, Hudson River Museum, Yonkers, NY

1963
49th Annual Yonkers Art Association Exhibition, Hudson River Museum, Yonkers, NY

1965
51st Annual Yonkers Art Association Exhibition, Hudson River Museum, Yonkers, NY

1966
52nd Annual Yonkers Art Association Exhibition, Hudson River Museum, Yonkers, NY

1968
National Society of Painters in Casein 14th Annual Exhibition, National Arts Club, New York, NY
National Association of Women Artists 1968 Annual Exhibition, National Academy Galleries, New York, NY

1969
55th Annual Yonkers Art Association Exhibition, Hudson River Museum, Yonkers, NY

1970
Audubon Artists 28th Annual Exhibition, National Academy Galleries, New York, NY
Ulster County Community College, Stone Ridge, NY

1971
A.M. Sacks Gallery, New York, NY
Audubon Artists 29th Annual Exhibition, National Academy Galleries, New York, NY
1971
Open Juried Show, Westchester Ethical Society, White Plains, NY

1972
Audubon Artists 30th Annual Exhibition, National Academy Galleries, New York, NY

1973
Audubon Artists 31st Annual Exhibition, National Academy Galleries, New York, NY
Atkinson, Baron, Fanto, Pollan, Drawings and Collages, Herbert E. Feist Gallery, New York, NY
Ulster County Community College, Stone Ridge, NY

1975
Allan Stone Gallery, New York, NY
Celebration: Women in the Arts, Ulster County Community College, Stone Ridge, NY
Audubon Artists 33rd Annual Exhibition, National Academy of Design, New York, NY
150th Annual Exhibition, National Academy of Design, New York, NY
Mamaroneck Artists Guild 22nd Anniversary Open Juried Exhibition, Community Unitarian Church, White Plains, NY

1977
The Hudson River Open, Hudson River Museum, Yonkers, NY

1978
Collage 1978, Goddard-Riverside Community Center, New York, NY
Contemporary Collages, Kathryn Markel Gallery, New York, NY
New Acquisitions, National Collection of Fine Arts, Smithsonian Institution, Washington, DC

1979
Formations on Paper, Gallery Alexandra Monett, Brussels, Belgium
The Art of Collage Today, Impressions Gallery, Boston, MA

1980
Artist’s Books, Kathryn Markel Gallery, New York, NY; Hoshour Gallery, Albuquerque, NM

1981
Sixty Years of Collage, Gallery Schlesinger-Boisanté, New York, NY
Selections 81, Katonah Gallery, Katonah, NY
Words and Images, Philadelphia Art Alliance, Philadelphia, PA; Pittsburgh Center for the Arts, Pittsburgh, PA; Southern Alleghenies Museum of Art, Loretto, PA
Women Artists, Ulster County Community College, Stone Ridge, NY
Pratt Graphics Center, New York, NY
The New Gallery, Cleveland, OH
Joyce Hunsacker Gallery, Los Angeles, CA
University Art Gallery, Sonoma State University, Rohnert Park, CA
Contemporary Collage, Alice Simsar Gallery, Ann Arbor, MI
Artist’s Books, Kathryn Markel Gallery, New York, NY
Galerie Caroline Corre, Paris, France

1982
Small Sizes, Galerie La Cite, Luxembourg, Luxembourg
Hannelore Baron: Collages and Wood Assemblages and Paul Harnett: Collages, Rosenberg Fine Arts Ltd., Toronto, Canada

1983
Galerie Gamma, Amsterdam, The Netherlands
Les Etats du Livre, Galerie Caroline Corre, Paris, France; Contemporary Art Center, Rouen; Le Grand Palais, Paris, France
Galerie Pudelko, Bonn, Germany
uitnodiging, Louis Dijkstra Kunsthandel, Waalwijk, The Netherlands

1984
Selected Drawings by Eleven Artists, Willard Gallery, New York, NY
Dealer’s Choice, Columbia Museum of Art, Columbia, SC

1985
Collage, The State of the Art, Bergen Museum of Art and Science, Paramus, NJ

1986
Fetish Art: Obsessive Expressions, Rockford Art Museum, Rockford, IL
Collagen, Kunsthaus Zug, Zug, Switzerland
Paper Variations, Lever-Meyerson Gallery, New York,
IV Sommerausstellung, Galerie Gilbert, Remetschwiel, Germany
Jewish Themes / Contemporary American Artists II, The Jewish Museum, New York, NY; Spertus Museum of Judica, Chicago, IL; National Museum of American Jewish History, Philadelphia, PA
Small Format, Lang & O’Hara Gallery, New York, NY
Fifth Anniversary Exhibition, Roger Ramsay Gallery, Chicago, IL
For the Holidays, Collages, Forum Gallery, New York, NY

1987
Crime and Punishment, Schrieber / Cutler, Inc., New York, NY
Joseph Cornell and His Legacy, ACA Galleries, New York, NY
Collector’s Choice 1987, Mississippi Museum of Art, Jackson, MI

1988
The Poetic Object, San Antonio Museum of Art, San Antonio, TX; Boise Art Museum, Boise, ID; Art Museum of South Texas, Corpus Christi, TX; Amarillo Art Center, Amarillo, TX

1989
Werke auf Papier, Galerie Lopes AG, Zurich, Switzerland
Collagen, Assemblagen und Objekte, Galerie im Trudelhaus, Baden, Switzerland

1992
Papers, Gallery Schlesinger, New York, NY

1994
Fractured Identity: Cut and Paste, Julie Saul Gallery, New York, NY
Works on Paper, Manny Silverman Gallery, Los Angeles, CA

1995
American Collage, ACA Galleries, New York, NY
Air-Conditioned Abstraction All Summer Long, Manny Silverman Gallery, Los Angeles, CA
Summer Selections, Barbara Mathas Gallery, New York, NY
Collage: Made in America, Michael Rosenfeld Gallery, New York, NY
New Acquisitions: Celebrating the 30th Anniversary of the Isreal Museum, Israel Museum, Jerusalem, Israel
Pasted Papers: Collage and the 20th Century, Louis Stern Fine Arts, Los Angeles, CA

1996
Picasso and Friends, Meyerson & Nowinski, Seattle, WA
Dissimilar & Unrelated Sculptures, Baron/Boisanté, New York, NY
Box, Fotouhi Cramer Gallery, New York, NY
Fiber and Form: The Woman’s Legacy, Michael Rosenfeld Gallery, New York, NY
Manny Silverman Gallery, Los Angeles, CA
Signs & Symbols, Barbara Mathes Gallery, New York, NY
In Pursuit of the Invisible: Selections from the Collection of Janice and Mickey Cartin, The Richmond Art Center, The Loomis Chaffee School, Windsor, CT

1997
Collage & Assemblage, Manny Silverman Gallery, Los Angeles, CA
Deep Storage, Arsenale der Erinnerung (Deep Storage, Collecting, Storing, and Archiving in Art), Haus der Kunst, Munich, Germany; Kulturforum,Nationalgalerie, Berlin, Germany; Kunstmuseum Dusseldorf, Dusseldorf, Germany; PS1 Contemporary Art Center, New York, NY; Henry Art Gallery, Seattle, WA
Works on Paper, Baron/Boisanté, New York, NY

1998
Summer Group Exhibition, Manny Silverman Gallery, Los Angeles, CA
Small Treasures III, Jack Rutberg Fine Arts, Los Angeles, CA

1999
The Last Show of the Century: A History of the 20th Century Through Its Art, Milwaukee Art Museum, Milwaukee, WI
Voices from Here and There: New Acquisitions in the Department of Prints and Drawings, The Israel Museum, Jerusalem, Israel
The Perpetual Well: Contemporary Art from the Collection of The Jewish Museum, Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; The Parrish Art Museum, Southampton, NY; The Huntington Museum of Art, Huntington, WA
1945-1985: Hannelore Baron, Dorothy Dehner, Margeret Ponce Isreal, Perimeter Gallery, Chicago, IL

2001
Air Conditioned Abstraction, Volume Two, Manny Silverman Gallery, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA
A Private Reading, The Book as Image and Object, Senior & Shopmaker Gallery, New York, NY
Rupture & Revision: Collage in America, Pavel Zoubok Gallery, New York, NY

2002
Three Approaches to Collage: Hannelore Baron, Joseph Cornell, Ray Johnson, Manny Silverman Gallery, Los Angeles, CA
The Endurance of Art, Westport Arts Center, Westport, CT

2003
Old Friends, Robert Brown Gallery, Washington, DC
Collage Construction, Pavel Zoubok Gallery, New York, NY
First Person, Gallery Schlesinger, New York, NY

2004
Cult Following, Gallery Schlesinger, New York, NY
Six Centuries of Prints and Drawings: Recent Acquisitions, National Gallery of Art, Washington, DC
Women Artists of the Twentieth Century, Pannell Art Gallery, Sweet Briar College, Sweet Briar, VA

2005
Abstraction: The Poetic Visual Image, Bolinas Museum, Bolinas, CA
Winter Group Exhibition, Manny Silverman Gallery, Los Angeles, CA
COLLAGE signs & surfaces, Pavel Zoubok Gallery, New York, NY
It’s About Art, Gallery Schlesinger, New York, NY
Summer 2005, Manny Silverman Gallery, Los Angeles, CA

2006
Growing the Addison: Recent Acquisitions, Addison Gallery of American Art, Andover, MA

2007
Winter Selections, Manny Silverman Gallery, Los Angeles, CA
In Context, Collage + Abstraction, Pavel Zoubok Gallery, New York, NY
September Selections, Manny Silverman Gallery, Los Angeles, CA
In Circulation: Works on Paper, Luther W. Brady Art Gallery, George Washington University, Washington, DC

2008
Mostly Black and White, Manny Silverman Gallery, Los Angeles, CA
[un]common threads, Michael Rosenfeld Gallery LLC, New York, NY

2009
Toxic Assets, Gallery Schlesinger, New York, NY
New at the Morgan: Acquisitions Since 2004, The Morgan Library & Museum, New York, NY

2011
Manny Silverman Gallery, Los Angeles, CA
Some Assembly Required: Assemblage & Collage, Jack Rutberg Fine Arts, Los Angeles, CA
Fragments: 1915-2011, Modern and Contemporary Collage, ACA Galleries, New York, NY
Remix: Selections from the International Collage Center, Samek Art Gallery, Bucknell University, Lewisburg, PA; Katonah Museum of Art, Katonah, NY
In Context: Celebrating Pioneering Los Angeles Artist Betye Saar, Roberts & Tilton, Los Angeles, CA
Material Witness, Venessa German, Hannelore Baron, Donna Sharrett, Pavel Zoubok Gallery, New York, NY

2012
Into The Winter, Manny Silverman Gallery, Los Angeles, CA
Printin’, Museum of Modern Art, New York, NY
Spring into Summer, Manny Silverman Gallery, Los Angeles, CA
From the Vault, University Art Museum at California State University Long Beach, Long Beach, CA

2013
Remix: Selections from the International Collage Center, Katonah Museum of Art, Katonah, NY

2014
Some Collages, Texas Gallery, Houston, TX

2015
Embracing Modernism: Ten Years of Drawings Acquisitions, The Morgan Library & Museum, New York, NY
The Last Picture Show, Manny Silverman Gallery, Los Angeles, CA
The Tiny Picture Show, Pavel Zoubok Gallery, New York, NY

2016
The Keeper, The New Museum, New York, NY

2017
Collage: Made in America, Michael Rosenfeld Gallery LLC, New York, NY
The Time Is N♀w, Michael Rosenfeld Gallery LLC, New York, NY