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Charmion von Wiegand (1896 — 1983)
| 1942 | Rose Fried Gallery, New York, NY; 1947, 48 | |
| 1952 | Saidenberg Gallery, New York, NY | |
| 1954 | Cittadella d’Arte Internazionale e d’Avanguardia, Ascona, Italy; 1955, 58, 59 Zoe Dusanne Gallery, Seattle, WA; 1955, 58 |
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| 1956 | John Heller Gallery, New York, NY | |
| 1961 | Howard Wise Gallery, New York, NY; 1963, 64, 65 | |
| 1964 | James Goodman Gallery, Buffalo, NY Richard Gray Gallery, Chicago, IL |
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| 1969 | Gallery 17, University of Texas Art Museum, Austin, TX | |
| 1970 | Birmingham Art Museum, Birmingham, AL | |
| 1973 | Galleria Fiamma Virgo, Rome, Italy; 1974 Retrospective, Whitney Museum of American Art, New York, NY |
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| 1974 | Annely Juda Fine Art, London, England Noah Goldowsky Gallery, New York, NY |
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| 1975 | André Zarre Gallery, New York, NY; 1977, 87, 89 | |
| 1978 | Thirty Years of Collage, Marilyn Pearl Gallery, New York, NY | |
| 1981 | Charmion von Wiegand and Her Circle, Marilyn Pearl Gallery, New York, NY | |
| 1982 | Charmion von Wiegand: Her Art and Her Life, Bass Museum of Art, Miami Beach, FL | |
| 1985 | Retrospective Exhibition, 1945-65, Marilyn Pearl Gallery, New York, NY | |
| 1990 | Marilyn Pearl Gallery, New York, NY Peri-Renat Gallery, Southampton, NY |
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| 1993 | Charmion von Wiegand: In Search of the Spiritual, Joseloff Gallery, University of Hartford, West Hartford, CT | |
| 1998 | Spirit & Form: Collages, 1946-1962, Michael Rosenfeld Gallery, New York, NY | |
| 2000 | Spirituality in Abstraction, 1945-1969, Michael Rosenfeld Gallery, New York, NY | |
| 2003 | Charmion Von Wiegand: Improvisations, Michael Rosenfeld Gallery, New York, NY | |
| 2007 | Charmion Von Wiegand: From Mondrian to Mantra, Michael Rosenfeld Gallery, New York, NY |
| 1945 | The Women, Art of This Century, New York, NY | |
| 1947 | American Abstract Artist Exhibition, Riverside Museum, New York, NY | |
| 1948 | American Abstract Artist Exhibition, Chinese Gallery Limited, New York, NY | |
| 1949 | American Abstract Artist Exhibition, Riverside Museum, New York, NY | |
| 1950 | American Abstract Artists Annual Exhibit, New School for Social Research, New York, NY | |
| 1952 | American Watercolors, Drawings and Prints, Metropolitan Museum of Art, New York, NY | |
| 1953 | The Classic Tradition in Contemporary Art, Walker Art Center, Minneapolis, MN | |
| 1955 | Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY | |
| 1957 | Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY Pure Abstract Painting Exhibition, Yale University Art Gallery, New Haven, CT The Sphere of Mondrian, Contemporary Arts Museum, Houston, TX |
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| 1960 | Construction and Geometry in Painting from Malevich to Tomorrow, Galerie Chalette, New York, NY Konkrete Kunst: Fifty Years of Development, Kunstgesellschaft, Zurich, Switzerland |
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| 1962 | The Art of Assemblage, The Museum of Modern Art, New York, NY Geometric Abstraction in America, Whitney Museum of American Art, New York, NY |
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| 1963 | 28th Biennial Exhibition of Contemporary Painting, The Corcoran Gallery of Art, Washington, DC Art and Writing, Stedelijk Museum, Amsterdam, Holland; StaatlicheKunsthalle, Baden-Baden, Holland Recent Acquisitions, Whitney Museum of American Art, New York, NY The Classic Spirit in Twentieth Century Art, Sydney Janis Gallery, New York, NY |
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| 1964 | Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY Mondrian, de Stijl and Their Impact, Marlborough-Gerson Gallery, New York, NY Women Artists of America, 1707-1964, The Newark Museum, Newark, NJ |
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| 1965 | American Abstract Artists Annual Exhibition, Riverside Museum, New York, NY | |
| 1967 | Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC Yesterday and Today, 1936 to 1966, Riverside Museum, New York, NY |
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| 1968 | Plus by Minus, Today’s Half-Century, Albright-Knox Art Gallery, Buffalo, NY | |
| 1969 | Sixth Biennale: National Religious Art, Cranbrook Academy of Art, Bloomfield Hills, MI | |
| 1970 | 150 Paintings from the New York University Collection, Hudson River Museum, Yonkers, NY | |
| 1971 | Ciba-Geigy Collection, Hudson River Museum, Yonkers, NY | |
| 1972 | The Non-Objective World, 1939-1955, Annely Juda Fine Art, London, England; Galerie Liatowitsch, Basel Switzerland; Galleria Milano, Milan, Italy | |
| 1973 | The Non-Objective World, 1914-1955, Annely Juda Fine Art, London, England; The University of Texas Art Museum, Austin, TX Post-Mondrian Abstraction in America, Museum of Contemporary Art, Chicago, IL |
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| 1974 | De Stijl, Cercle et Carre, Galerie Gmurzynska, Cologne, Germany | |
| 1975 | Three American Purists: Mason, Miles and von Wiegand, Museum of Fine Arts, Springfield, MA | |
| 1977 | Paris - New York, Musee National d’Arte Moderne, Centre Georges Pompidou, Paris, France | |
| 1978 | Geometric Abstraction and Related Works, The Newark Museum, Newark, NJ | |
| 1979 | The Language of Abstraction, Marilyn Pearl Gallery, New York, NY and Betty Parsons Gallery, New York, NY Mondrian and Neo-Plasticism in America, Yale University Art Gallery, New Haven, CT Constructivism and the Geometric Tradition: Selections from the McCrory Corporation Collection, Albright-Knox Art Gallery, Buffalo, NY; Dallas Museum Fine Arts, Dallas, TX; San Francisco Museum of Art, San Francisco, CA; La Jolla Museum of Contemporary Art, La Jolla, CA; Seattle Art Museum, Seattle, WA; Carnegie Museum of Art, Pittsburgh, PA; Nelson-Atkins Museum of Fine Arts, Kansas City, MO; Detroit Institute of Arts, Detroit, MI; Milwaukee Art Museum, Milwaukee, WI |
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| 1982 | Abstraction in Action, City Gallery of the Division of Cultural Affairs, New York, NY | |
| 1985 | Contrasts of Form: Geometric Abstract Art, 1910-1980, The Museum of Modern Art, New York, NY The Severe & the Romantic: Geometric Humanism in American Painting, 50s & 80s, Marilyn Pearl Gallery, New York, NY |
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| 1989 | Abstraction, Geometry, Painting: Selected Geometric American Painting Since 1945, Albright-Knox Art Gallery, Buffalo, NY; Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT The Patricia and Philip Frost Collection: American Abstraction 1930-1945, National Museum of American Art, Smithsonian Institution, Washington, DC |
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| 1991 | Post-War Geometric Concepts, Marilyn Pearl Gallery, New York, NY The Second Wave: American Abstraction of the 1930s and 1940s, Selections from the Penny and Elton Yasuna Collection, Worcester Art Museum, Worcester, MA; Samual P. Harn Museum, University of Florida, Gainesville, FL; Delaware Art Museum, Wilmington, DE |
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| 1992 | Between Mondrian and Minimalism: Neo-Plasticism in America, Whitney Museum of American Art, New York, NY Sonia Delauney & Charmion von Wiegand: Works on Paper, Marilyn Pearl Gallery, New York, NY |
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| 1994 | On Paper: Abstraction in American Art, Michael Rosenfeld Gallery, New York, NY | |
| 1995 | 1945: The End of the War, Annely Juda Fine Art, London, England; Denise Rene, Paris, France; Galerie Hans Mayer, Dusseldorf, Germany Referencing Mondrian No.1, Washburn Gallery, New York, NY |
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| 1996 | Abstraction Across America, 1934-1946, Michael Rosenfeld Gallery, New York, NY The Geometric Tradition in American Art, Meyerson & Nowinski Gallery, New York, NY |
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| 1997 | Geometric Abstraction: 1937-199, Snyder Fine Art, New York, NY | |
| 1998 | Defining the Edge: Early American Abstraction, Selections from the Collection of Dr. Peter B. Fischer, Michael Rosenfeld Gallery, New York, NY; Laguna Art Museum, Laguna Beach, CA American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection, Wake Forest University Fine Arts Gallery, Wake Forest University, Winston-Salem, NC |
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| 2000 | Pasted Pictures: Collage and Abstraction in the Twentieth Century, Knoedler & Company, New York, NY Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY |
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| 2000 | Pasted Pictures: Collage and Abstraction in the Twentieth Century, Knoedler & Company, New York, NY Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY |
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| 2001 | Rupture & Revision: Collage in America, Pavel Zoubok, Inc, New York, NY 1950-1965: Works on Paper, Michael Rosenfeld Gallery, New York, NY |
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| 2002 | Early American Abstraction: Small Scale – Large Dimension, Michael Rosenfeld Gallery, New York, NY | |
| 2004 | Mood Indigo: The Legacy of Duke Ellington - A Look at Jazz & Improvisation in American Art, Michael Rosenfeld Gallery, New York, NY, Michael Rosenfeld Gallery, New York, NY Modern American Painting from the NYU Art Collection, Lewis Gluckman Gallery, University College Cork, Ireland |
2005 | Another View: New York School, Opalka Gallery, The Sage Colleges, Albany, NY | 2006 | Paper Works by Abstract Masters, Anita Shapolsky Gallery, New York, NY |
| 2006-08 | Coming of Age: American Art, 1850s to 1950s, Addison Gallery of American Art, Phillips Academy, Andover, MA; Meadows Museum of Art, Dallas, TX; Dulwich Picture Gallery, London, England; Peggy Guggenheim Collection, Venice, Italy | |
| 2008 | New York Cool: Painting and Sculpture from the NYU Art Collection, Grey Art Gallery, New York University, New York, NY; Palmer Museum of Art, Pennsylvania State University, PA; University of Iowa Museum of At, Iowa City, IA; Bowdoin College Museum of Art, Brunswick, ME; Hunter Museum of American Art, Chattanooga, TN | |
| 2009 | The Third Mind: American Artists Contemplate Asia, 1860-1989, Solomon R. Guggenheim Museum, New York, NY Back to the Future: Alfred Jensen, Charmion von Wiegand, Simon Gouverneur and the Cosmic Conversation, Loyola University Museum of Art, Chicago, IL Daughters of the Revolution: Women in Collage, Pavel Zoubok Gallery, New York, NY |
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| 2010 | Constructive Spirit: Abstract Art in South and North America, 1920s–1950s, The Newark Museum, Newark, NJ |
